GRADE 8 BOOKCLUB

Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

Cecelia was never good at making friends. Her social anxiety and intrusive thoughts made her believe she never could, until she meets a group that changes everything.
Roxanne, the confident, fiery girl that would do anything for her friends.
Jessie, the quiet, parental, self appointed therapist friend.
And Otto.

The sarcastic boy with a skewed perception of himself.
The four of them are all going to different universities in the fall, so they make a bucket list of things to do before they’re separated. The items on the list are all things that will challenge their individual struggles and bring them closer together.
Yet, as memories from Cecelia’s past resurface, it causes her to doubt everything she knows and change her life forever.

Keith Moore is Europe's biggest cocaine dealer. The police have been trying to get enough evidence to nail him for more than twenty years.

Now, four CHERUB agents are joining the hunt. Can a group of kids successfully infiltrate Keith Moore's organisation when dozens of attempts by undercover police officers have failed?

James Adams must start at the bottom, making deliveries for small time drug dealers and getting to know the dangerous underworld they inhabit. He needs to make a big splash if he's going to win the confidence of the man at the top.

Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrantfame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta’s oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates.

Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world’s largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. She encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. Her wounds may never heal.

Beaton’s natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full-length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

CHERUB agents are highly trained, extremely talented--and all under the age of seventeen. For official purposes, these agents do not exist. They are sent out on missions to spy on terrorists, hack into crucial documents, and gather intel on global threats—all without gadgets or weapons. It is an exceptionally dangerous job, but these agents have one crucial advantage: adults never suspect that teens are spying on them. 

James is the latest CHERUB recruit. He’s a bit of a troublemaker, but he’s also brilliant. And CHERUB needs him. James has no idea what to expect, but he’s out of options. Before he can start in the field he must first survive one hundred grueling days of basic training, where even the toughest recruits don’t make it to the end.